(ShotaFes 17) [Hyouchuuka (Hiwa)] Suki na Tokoro wa Oshiri (Digimon Tamers) [English] {Chin²}
(ショタフェス17) [氷柱花 (鶸)] 好きなところは〇〇〇 (デジモンテイマーズ) [英訳] [DL版]
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Suki na Tokoro wa Oshiri: Takato Matsuki & Henry Wong's Intense Anal Yaoi in Digimon Tamers
Dive into the steamy world of 'Suki na Tokoro wa Oshiri' from ShotaFes 17, crafted by Hyouchuuka and artist Hiwa. This 32-page English doujinshi, originally titled (ショタフェス17) [氷柱花 (鶸)] 好きなところは〇〇〇 (デジモンテイマーズ) [英訳] [DL版], brings Digimon Tamers to life with Takato Matsuki and Henry Wong in a passionate yaoi encounter. Watch as these young boys explore their desires through intense anal intercourse, kissing, and nakadashi climaxes, all in a males-only shotacon fantasy. The focus on anal play and mesuiki moans heightens the erotic tension in this kodomo doushi tale. For more Digimon thrills, check out Boku no Kangaeta Ecchi na Ruki or see FLOWER here.
Digimon Tamers Yaoi Doujinshi: Suki na Tokoro wa Oshiri with Shotacon Anal Focus on Takato and Henry
As Takato and Henry surrender to their forbidden urges in 'Suki na Tokoro wa Oshiri,' the story unfolds with raw, unfiltered passion. Takato's eager submission to Henry's dominant thrusts delivers pulse-pounding anal scenes that emphasize every slick entry and deep nakadashi release. Their kisses grow fervent amid the kodomo-only intimacy, blending shotacon innocence with yaoi heat. Hiwa's artwork captures the mesuiki expressions and focus on oshiri pleasure, making this 32-page gem a must for fans of males-only Digimon Tamers erotica. The narrative builds to explosive climaxes, leaving readers craving more boy-on-boy adventures. Explore similar vibes in Digital Secret, or dive deeper with WILD CUBE stories. This doujinshi masterfully weaves anal intercourse and kodomo doushi themes, ensuring an unforgettable hentai experience that highlights the boys' tender yet intense bond. Whether it's the rhythmic pounding or the post-climax cuddles, every panel drips with erotic allure, perfect for 18+ enthusiasts seeking authentic yaoi indulgence.
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