[Seika Kairaku Shoten (Yoshimoto)] Fuuzokujou Tensei ~Hime Kishi ga Genjitsu Sekai ni Tensei Shitara Fuuzokujou ni Natteita Ken~ | 风俗娘转生~关于姬骑士转生到现实世界后成为风俗娘的那件事!~ [Chinese] [LC整合汉化组]
[聖華快楽書店 (吉本)] 風俗嬢転生 ~姫騎士が現実世界に転生したら風俗嬢になっていた件~ [中国翻訳]
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Fuuzokujou Tensei: Princess Knight Reincarnates as Busty Sex Worker in Real World Hentai
Dive into the steamy world of Fuuzokujou Tensei, where the noble Princess Knight Elara finds herself reincarnated from a fantasy realm into our modern reality as a seductive sex worker. This 39-page Chinese doujinshi by Seika Kairaku Shoten and artist Carpsukidayo captures her moral degeneration through intense encounters filled with big breasts, stockings, and group pleasures. Elara, once a chaste warrior, now indulges in blowjobs, paizuri, and handjobs under blindfolds and bondage, her swimsuit-clad body serving dilfs and bbms in prostitution bliss. For more knightly adventures, check this bound queen story. Experience her fall into erotic ecstasy like never before.
Windmill Girl Reborn: Hime Kishi Turns into Erotic Prostitute with Big Breasts and Bondage
As Elara adapts to her new life in Fuuzokujou Tensei, the mosaic-censored panels reveal her deepening submission to carnal desires. From solo temptations to group orgies, she embraces every tag of debauchery—stockings teasing thighs during handjobs, blindfolds heightening blowjob sensations, and paizuri with her massive breasts overwhelming eager clients. The princess knight's journey from fantasy heroism to real-world prostitution showcases moral degeneration at its hottest, with dilfs and bbms pushing her limits in swimsuit-clad romps and light bondage. This 39-page gem, translated into Chinese, pulses with raw hentai energy, making every page a testament to her transformed lust. If you're craving similar isekai twists, explore this sibling fantasy or dive into Maronchi's dilemmas. Elara's story leaves you yearning for more taboo reincarnations, blending adventure with unbridled sexual exploration in a way that redefines hentai storytelling.
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