[Kasuya Mako] SM-teki jun'ai ~ tokitai otoko × shibara retai on'na | SM式纯爱~渴望解开的男人x欲被捆绑的女人 1-10 [Chinese] [莉赛特汉化组]
[粕谷まこ] SM的純愛～解きたい男×縛られたい女 1-10 [中国翻訳]
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SM10: Kasuya Mako's SM Pure Love - Man Craves Untying, Woman Yearns for Shibari Bonds 1-10
Dive into SM10, the captivating hentai manga by artist Kasuya Mako, titled 'SM-teki jun'ai ~ tokitai otoko × shibara retai on'na' in its Chinese translation by the Lysette Hanization Group. This 286-page story arc unfolds a tale of pure SM love between Hiroshi, the dominant man aching to unravel forbidden knots, and Aiko, the submissive beauty desperate to be ensnared in intricate shibari ropes. Dressed in sleek business suits, they explore full censorship bondage scenes that tease the senses with tension and release. For more intense solo pairings, check this story. The erotic narrative builds through chapters 1-10, blending passion and restraint in every panel.
Explore SM10 Hentai: Bondage Romance with Sole Male Untying Desires and Shibari-Obsessed Sole Female Arc
As SM10 progresses, Hiroshi and Aiko's relationship deepens into a symphony of dominance and surrender, where shibari artistry transforms their office encounters into steamy, censored fantasies. Aiko's lithe form, bound tightly in red cords against her business suit, quivers under Hiroshi's gaze, her pleas for tighter knots fueling his urge to both bind and free her. This sole female and sole male dynamic delivers a story arc rich in emotional and physical ecstasy, spanning 286 pages of escalating SM pure love. Fans of bondage tales will relish the psychological depth, from initial hesitations to climactic releases. Discover similar restrained passions in Tsugou no Ii Mesu Otsubone, or explore more here with Tobashi Sensei's adventures. SM10 stands out for its authentic Chinese localization, making every twist accessible and arousing. Whether you're into the thrill of ropes or the power play in suits, this hentai masterpiece promises unrelenting desire and heartfelt connection, leaving readers bound to its pages.
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